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Saturday, November 19, 2022

Guitar and Bass

 Guitar and Bass Guitar. Two instruments which I view as being extensions of one another. Extensions which have their own characteristics. Each can be the “lead” instrument, up front and “in your face,” and each can be the “rhythm” instrument forming the foundation of the band. Both have their gifted stars. 

The guitar has way too many stars to name, but some of the more well known are Eddie Van Halen, Al Di Meola, Jimmy Page, Jimi Hendrix, and Chet Atkins. These players, and many more, have shaped and reshaped the way the world sees and hears the guitar. And while these guitar players are indeed great, they wouldn’t be as great if they weren’t playing along with great rhythm sections of which bass guitar is the foundation. Sometimes, however, the bass player can be the lead instead of the rhythm player. 

Players like Stanley Clarke take the bass into great realms of lead bass guitar. While playing in a slap bass style and finger picking like is done on an upright bass, Stanley Clarke amazes with his lightning fast leads and soulful but energetic fusion jazz style. Another example is John Entwistle, known as “Thunderfingers,” of The Who.  Entwistle’s playing style defined the band’s sound throughout its history. Great bass playing even happens in some heavy metal bands like Iron Maiden. Known for his use of chords runs and arpeggios, Steve Harris, Iron Maiden’s founder, plays his forceful rhythms with all the ferocity of the guitarists in the band. He feels that it must be equally present in the mix as the rest of the instruments. 

One thing about all the great players is that they all collaborate with other talented musicians and don’t try to be the star of the band; they play their parts and don’t over step their roles. There’s a beautiful talent in doing the right amount of playing. Knowing how to hit the sweet spot between too much and not enough is key. That can’t be taught by anyone or anything but experience. And how do you get experience? By going out and doing; by making mistakes and learning from them. That is the hammering of time and experience: learning the mistakes and avoiding them going forward. 

So now pick up your guitar or bass and learn something new every day and practice something old every day. Make mistakes, learn from them. Make new mistakes, Lear from them too. Play and play some more. Become the awesome musician you are destined to be and live your life with purpose. Thank you for reading. 😎

Sunday, August 2, 2020

Ableton Live

For the most part, I record using the Ableton Live DAW and several SVT plugins.

For a contrast of power between the free app, Audacity, and Ableton Live listen to Idyllwild (discussed on the post about Audacity) then to As It HappensAs It Happens was recorded on Ableton Live 8.1





For precice information on the latest version of Ableton Live, go here --> https://www.ableton.com/en/

Saturday, August 1, 2020

A Little Known Well Known Secret

Today I want to write about a software known as Audacity.

Audacity is a free, open-source, audio recording and manipulating software.  With this software, you can record multi-track and edit audio files of many types including .wav, .flac, and .mp3.  You can download it at https://www.audacityteam.org/, and it works on Windows, Mac-OS and Linux.

This wonderful recording application is perfect for recording demos and podcasts on the fly.  It supports a host of plugins and effects.  There is a complete wiki-style manual available here --> https://manual.audacityteam.org/index.html that gives step-by-step instructions, complete with screenshots, that deal with just about every aspect of the recording process.  There is even a section that deals with latency, and how to correct it.

Click image for more screenshots
Click image for more screenshots
I recorded a simple acoustic piece, Idyllwild, with rhythm on one track and lead on another.  I quadrupled the lead track out and tripled the rhythm track and applied some compression as is normal to give them width. But otherwise left the recording dry.  You can hear it either on the player on the top right ot the page, or by clicking here --> http://www.reverbnation.com/open_graph/song/28181289

Monday, July 27, 2020

The Focusrite Scarlett 2i2 Audio Interface

The interface that I use to record is the Focusrite Scarlett 2i2 Audio Interface.  Mine is a 1st generation (of course) but it's still awesome!  Even though Focusrite is currently on the 3rd generation of these magnificent interfaces, they still look and feel the same and operate with the same ease as always.




I like that it supports from 44.1 - 192kHz sample rates
super easy to control
1/4" outputs

Here's the link to Focusrite's page for the Scarlett 2i2:
https://focusrite.com/en/usb-audio-interface/scarlett/scarlett-2i2

I have made many recordings using this interface and Ableton Live 9.
Listen to a sample here: https://soundcloud.com/billcollins/as-it-happens


Sunday, July 26, 2020

The Random Acoustic Jam Early in the Morning

Just me messing 'round at 1:30am on the acoustic.....

The Stuff I Use

I have played guitar since I was 13 years old.  A bit late to start, I know, but I still love it.  I knew I was hooked as soon as a friend of mine showed me power chords.  You know, the two fingered root and fifth chords prevalent in metal songs.  Gratefully, I progressed from there.

Over the years, I have accumulated a small truckload of equipment.  I have collected a few guitars and an awesome bass along the way.

Guitars I  have:
  • 1986 Kramer ZX-10
  • 2010 HSS Fender Stratocaster
  • 2010 Fender Telecaster
  • 2010 Fender electric-acoustic
My Bass:
  • 1990 Fender Jazz Bass '62 reissue
Amplifiers:
  • Fender Reverb 25 guitar amp
  • Fender Rumble 350 bass amp
  • Marshall HD100FX/w 4x10 half-stack
Effects:
  • Dunlop Cry Baby Wah pedal.
  • The rest, delay, chorus, flanger, compressor, etc., are onboard on the Marshall HD100FX Head and are controlled with a foot pedal.



My Fender guitars are both equipped with Seymour Duncan humbucker pickups, tapped for single coil play, and I changed out the pots for 500k pots.  In the Stratocaster the neck and middle positions are fitted with Seymour Duncan's Single-Coil-Spaced Little '59 Strat humbuckers and in the bridge position is a Seymour Duncan '59 Trembucker.  I love them!  What a great sound!  The volume pot is push/pull to
tap the pickups to single coil.




On the Telecaster, I replaced volume and tone pots with 500k pots and the Fender Pickups with a Seymour Duncan Hot-Rails Tele Set with an additional Seymour Duncan Hot-Rails Tele Neck pickup for the middle.Another home run by Seymour Duncan!! The volume pot is push/pull to tap the picku

My Telecaster is a 2010 Blackout model (not to be confused with the block-top
model, which was mainly distinguished by its flat-top knobs).

It is an otherwise standard Telecaster except that it has a middle Telecaster pickup in a Stratocaster style configuration, complete with a five-way switch.

It is not to be confused with a Nashville model or a B-bender model - two other Telecaster models that have a three pickup configuration, but whose middle pickups are actual Stratocaster neck position pickups.


Tuesday, July 4, 2017

Hello

Hello!

Welcome to my music page where I will post links to hear my music on soundcloud, etc., videos and general things about my music and guitars.  I will also post links and videos to pages that I find interesting and helpful.  Many of the will be affiliate links.

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Guitar and Bass

 Guitar and Bass Guitar. Two instruments which I view as being extensions of one another. Extensions which have their own characteristics. E...